In the bottom left is a depiction of the stern and fore part, starboard side, with a rough half body plan (fore part).In the bottom right is a depiction of the starboard quarter and tafferel, inscribed ‘ront after’ (? rounded stern), with a half body plan (after part).
In the top left, the yacht is shown from the starboard quarter and in the top right it is viewed from the port bow.

This is an unsigned pencil drawing by the Younger, with pen and brown ink.

This is one of ten sketch plans of a small Dutch-type bezan yacht, which the Younger was designing for himself. They are identified by the coat of arms, as a similar arms surrounded by the initials ‘W.V.VJ’ was found in the form of a seal impressed on the stretcher of a painting in the Ingram Collection.

The date of the drawings is uncertain; the style might be as late as 1700 and the apparently English inscription ‘op sij dun’ (? upside down) on PAF6571 is on paper the Van de Veldes used in 1665, and the form of the signature is as early as this. PAF6570 and PAH1853, however, are on paper the Van de Veldes used in 1675. A drawing in the collection of D.G. van Beuningen at Vierhouten has an Italian watermark not usually found in England before 1680.

It is possible that Van de Velde planned originally to build a yacht while he was with the Dutch and he revived his scheme when he came to England. It is unlikely that she was ever built as designed because she cannot be recognised in any paintings and drawings. There is, however, a boeier yacht shown in a painting in the National Gallery (978) having the monogram ‘W V V’ in the pendant at the stern as in the drawing at Vierhouten.