(St.) Maria della Salute, Venice, with gondola and mooring buoy
Throughout his career as a painter, Edward Cooke travelled extensively in Europe, visiting France, Holland, Italy, Spain, North Africa and Scandinavia. Paintings and drawings resulted from all his travels, but it is evident that the places that provided the strongest fascination for him besides the southern coastline of England were the beaches and estuaries of Holland and the topography of Venice and Italy.
Cooke’s first visit to Venice was in 1850 and he returned there a further nine times before his last visit in 1877. It was on his second trip to Venice in 1851 that Cooke met and became friends with the critic John Ruskin.
This is a rapidly executed sketch, possibly taken from Cooke’s gondola in the Bacino, showing the profile of Baldassare Longhena’s great Baroque church of Santa Maria della Salute. A gondola is crossing the Canale della Giudecca towards it in the left foreground. With remarkable economy of means Cooke evokes the space, light and distance of the cityscape.
Cooke’s first visit to Venice was in 1850 and he returned there a further nine times before his last visit in 1877. It was on his second trip to Venice in 1851 that Cooke met and became friends with the critic John Ruskin.
This is a rapidly executed sketch, possibly taken from Cooke’s gondola in the Bacino, showing the profile of Baldassare Longhena’s great Baroque church of Santa Maria della Salute. A gondola is crossing the Canale della Giudecca towards it in the left foreground. With remarkable economy of means Cooke evokes the space, light and distance of the cityscape.
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Object Details
ID: | PAE5766 |
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Type: | Drawing |
Display location: | Not on display |
Creator: | Cooke, Edward William |
Places: | Unlinked place |
Credit: | National Maritime Museum, Greenwich, London |
Measurements: | 66 x 124 mm |