Westminster from Lambeth Pier
Using aquatint and etching to an atmospheric effect, Wyllie’s depiction of Westminster and Westminster Bridge emphasizes the soot and smog of the industrial city. The iconic sturgeon lampposts along the right side were designed by George Vulliamy in 1870 for the Victoria and Albert Embankments. From this view Wyllie has emphasized the repetition of the posts across the Thames path. Although initially controversial, these lampposts have become a symbol of London, and are often colloquially described as “dolphin” lampposts. Technique includes aquatint and etching.; Signed by artist.
W. L. Wyllie (1851-1931) was a British Marine artist. Born in London, Wyllie painted, drew, and etched Thames scenes throughout his life. He moved to Portsmouth in 1907, where he continued working, supported the restoration of the Victory and painted the Trafalgar Panorama. Early in his career Wyllie was an illustrator for The Graphic, and he became a member of the Royal Academy in 1907.
W. L. Wyllie (1851-1931) was a British Marine artist. Born in London, Wyllie painted, drew, and etched Thames scenes throughout his life. He moved to Portsmouth in 1907, where he continued working, supported the restoration of the Victory and painted the Trafalgar Panorama. Early in his career Wyllie was an illustrator for The Graphic, and he became a member of the Royal Academy in 1907.
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Object Details
ID: | PAF0699 |
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Collection: | Fine art |
Type: | |
Display location: | Not on display |
Creator: | Wyllie, William Lionel |
Places: | Unlinked place |
Credit: | National Maritime Museum, Greenwich, London |
Measurements: | 202 mm x 409 mm; Mount: 406 mm x 557 mm |