During the Second World War, John Kingsley Cook (1911-94) served in the merchant navy as a wireless officer. He joined in 1940, and went on his first sea voyage, to the United States, in December 1940. His ship was sunk off the coast of Algeria in 1941, the survivors being taken captive and held there until liberated after the Allied landing in North Africa in 1942.
There was no prisoner-of-war camp in Algeria: Cook and his crewmates were interned first at Bône, then in a convict camp at Méchéria, which he described as peopled with ‘cut-throat murderers, confidence tricksters, thieves, pimps, white slavers…[and]…alive with petty intrigue theft, blackmail and skulduggery of every kind, practiced on each other, on the officers and on us’. Many of Cook’s drawings evoke this atmosphere. Here he has increased the sense of depth of the composition by pasting two pieces of paper together.
Freed from the camp, Cook resumed service after a few months recuperating at home, and was discharged in August 1945, when he joined the staff at the Edinburgh College of Art. There, he taught engraving and graphic design and lectured on the History of Art, before being appointed Head of Design in 1960. He retired in 1971.
Throughout the war, Cook drew life at sea and in captivity. He also created a number of retrospective drawings in the 1980s, when he was working on his (as yet unpublished) memoirs. 262 drawings and 2 paintings of his wartime experiences were presented by his family to the National Maritime Museum in 2012.