The Van de Veldes: Greenwich, Art and the Sea

The Queen’s House, Greenwich, to host new exhibition on the founders of English marine painting, 350 years after their arrival in England

On 2 March 2023, The Van de Veldes: Greenwich, Art and the Sea will open at the Queen’s House, the home of the studio granted to Willem van de Velde the Elder and his son, Willem van de Velde the Younger, by Charles II.

The National Maritime Museum holds the largest collection of the Van de Veldes’ artwork in the world and is a longstanding centre of Van de Velde expertise. This exhibition will celebrate these forgotten masters and their practice, marking 350 years since they arrived in England. It will also reveal how the family’s legacy as renowned émigré artists transformed British visual culture and inspired future generations of artists including J.M.W. Turner.

Willem van de Velde the Elder and Willem van de Velde the Younger were the most important and influential marine painters of the seventeenth century. During a visit to the Dutch Republic in 1667, Cosimo de Medici visited two artists’ studios – Willem van de Velde the Elder and Rembrandt.

Following Het Rampjaar, or the Disaster Year of 1672, the Van de Veldes moved from the Netherlands to England at the invitation of Charles II, who awarded them a salary equivalent to that of his ‘Principal Painter’, Sir Peter Lely, and a studio at the Queen’s House. Together, they became the founders of the English school of marine painting.

Willem van de Velde the Elder was a self-taught draughtsman who pioneered the technique of ‘pen painting’, allowing him to capture a ship’s likeness or a naval battle in astonishing detail. He was also a war journalist, who went out to sea to sketch ships and record naval actions, witnessing historical events including the Battle of Solebay, the last naval battle James, Duke of York (later James II) engaged in.

Willem van de Velde the Younger worked in oils, often using his father's extraordinarily detailed drawings as source material. He trained with Simon de Vlieger and collaborated closely with his father, creating more dramatic, atmospheric paintings, particularly the stormscapes that appealed to an English market. These works would establish his reputation as one of the leading marine painters of the seventeenth century and reportedly led Turner to say, ‘this made me a painter’.

From their Queen’s House studio, their home for twenty years, the Van de Veldes revolutionised marine painting in Britain and established a genre that persists today. By looking closely at the techniques and materials the father and son team employed, as well as the physical environment in which they worked, this exhibition will explain not only why they were two of the most esteemed artists, but also how.

It will also include eye-witness depictions of dramatic naval battles and momentous historical events. Both artists witnessed Charles II travelling to Scheveningen, en route to England for the Restoration in 1660, and both depicted William of Orange departing England with his bride, Mary Stuart (later William III and Mary II) in December 1677.

One of the most important objects in the exhibition will be the newly conserved painting, A Royal Visit to the Fleet. It was worked on in their studio at the Queen’s House in the 1670s and, at almost four metres across, was the largest seascape Van de Velde the Younger had painted to date. The scale of the painting coupled with a low viewpoint lends it a dramatic, panoramic quality. Following two years of conservation, this commanding painting shows why the legacy of the Van de Veldes helped define English marine painting for the next two hundred years.

Also returning to display in this exhibition will be The Burning of the Royal James at the Battle of Solebay, 28 May 1672, otherwise known as ‘The Solebay Tapestry’. Originally part of a set of six, it is the only Solebay Tapestry in the collection at the Queen’s House, where the original cartoons were first designed by Van de Velde the Elder. In February 2022, Royal Museums Greenwich partnered with the Art Fund to crowdfund £15,000 to save the Solebay Tapestry. The campaign broke records, reaching its target in a single day. This monumental tapestry has been saved from further deterioration and is able to return to display for the first time in over twenty years.

Displayed alongside these monumental works will be a selection of the 1400 drawings from the National Maritime Museum’s collection. These drawings, astonishing works of art also reveal how the Van de Veldes prepared larger pieces, traded with other artists and taught the next generation. Thanks to a grant awarded through the Getty Foundation’s Paper Project initiative, all 1400 drawings have been digitised and will be available in an accompanying online web feature.

Allison Goudie, Art Curator at Royal Museums Greenwich, said, ‘The Van de Velde collection at Greenwich is remarkable not only for its sheer size but for what it reveals about how a 17th-century artist’s studio functioned. This exhibition celebrates this extraordinary aspect of the Van de Velde collection here, and the unique connection it now has with the Queen’s House, the location of the Van de Veldes’ studio for over twenty years.’

To coincide with the exhibition, the Queen’s House has been working with Sky Arts and has commissioned the winner of Landscape Artist of the Year 2023 to create an artwork inspired by the life and work of the Van de Veldes. The prize commission will be displayed in the Queen’s House from 2nd March 2023. Sky Arts Landscape Artist of the Year starts on Wednesday 11th January at 8pm on Sky Arts, Freeview Channel 11.

Exhibition information for visitors:

Venue:                         The Queen’s House, Greenwich

Dates:                         2 March 2023 – 14 January 2024

Website:                      www.rmg.co.uk/van-de-velde   

Visitor Enquiries:        020 8858 4422 | bookings@rmg.co.uk

Twitter:                       @RMGreenwich #VanDeVeldes

Instagram:                  @royalmuseumsgreenwich #VanDeVeldes

Facebook                    /royalmuseumsgreenwich #VanDeVeldes

 

Notes to editors

 

  1. The 17th century Queen’s House, designed by Inigo Jones, was the first Classical building in England. It is known for its perfectly proportioned Great Hall, original marble floor and beautiful Tulip staircase. The Queen’s House has Scheduled Monument status as it is a building of unique architectural importance and forms an important part of the UNESCO Maritime Greenwich World Heritage Site. Visitors to the Queen’s House can see highlights from the National Maritime Museum’s fine art collection, including the Armada Portrait of Elizabeth I and exquisite examples of the work of the Van de Veldes.
     
  2. The Queen’s House is part of Royal Museums Greenwich which also incorporates the National Maritime Museum, the Royal Observatory Greenwich and Cutty Sark. This unique collection of museums and heritage buildings, which form a key part of the Maritime Greenwich UNESCO World Heritage Site, welcomes visitors from across the world and is also a major centre of education and research. The mission of Royal Museums Greenwich is to enrich people’s understanding of the sea, the exploration of space, and Britain's role in world history. For more information visit www.rmg.co.uk.
     
  3. The exhibition, its research and conservation of key works has been supported by major gifts from the Art Fund, Charles Hayward Foundation, The Getty Foundation, The Gladys Krieble Delmas Foundation, the Paul Mellon Centre for Studies in British Art, The Stockman Family Foundation and Tavolozza Foundation among many other trusts, foundations and private individuals.
     
  4. Art Fund is the national fundraising charity for art. It provides millions of pounds every year to help museums to acquire and share works of art across the UK, further the professional development of their curators, and inspire more people to visit and enjoy their public programmes. Art Fund is independently funded, supported by Art Partners, donors, trusts and foundations and the 130,000 members who buy the National Art Pass, who enjoy free entry to over 240 museums, galleries and historic places, 50% off major exhibitions, and receive Art Quarterly magazine. Art Fund also supports museums through its annual prize, Art Fund Museum of the Year. The winner of Art Fund Museum of the Year 2022 is Horniman Museums & Gardens. www.artfund.org
     
  5. The Getty Foundation fulfils the philanthropic mission of the Getty Trust by supporting individuals and institutions committed to advancing the greater understanding and preservation of the visual arts in Los Angeles and throughout the world. Through strategic grant initiatives, the Foundation strengthens art history as a global discipline, promotes the interdisciplinary practice of conservation, increases access to museum and archival collections, and develops current and future leaders in the visual arts. It carries out its work in collaboration with the other Getty Programs to ensure that they individually and collectively achieve maximum effect. Additional information is available at www.getty.edu/foundation.
     
  6. The Paul Mellon Centre for Studies in British Art offers a wide programme of funding that supports scholarship, academic research and the dissemination of knowledge in the fields of British art and architectural history, and of British visual culture understood more broadly, from the medieval period to the present day. Funding opportunities are offered twice a year and include Fellowships (for individuals) and Grants (for institutions and individuals).
     
  7. Founded in 2001 by Katrin Bellinger, the Tavolozza Foundation is a non-profit, charitable organisation based near Munich, Germany. Through a range of support to museums, galleries and other cultural and educational institutions, the Foundation is particularly committed to furthering research into the theme of the artist at work and supporting initiatives that have a focus on works on paper.

 

For further information or images, please contact:

Victoria Mottram, Royal Museums Greenwich Press Office

press@rmg.co.uk | 020 8312 6789