22 Nov 2010
Unknown artist, Grotesque coved ceiling (detail), Queen's Bedchamber, The Queen's House. One significant feature that does bridge the gap (excuse the pun) however between Anna and Henrietta Maria's royal House's was the road running beneath the central bridge room. The intention for a house of two separate sides to be built across the main public thoroughfare (running from Woolwich to London) was never deviated from in either the 1616-18 or the 1629-35 designs, and has thus produced one of the most debated questions regarding the building of the Queen's House: why would the queen wish to have a house built across a main road? My research will hopefully provide more insight into this enigmatic feature. [[{"type":"media","view_mode":"media_large","fid":"219579","attributes":{"class":"media-image","typeof":"foaf:Image","style":"","alt":"QH 164.jpg"}}]]
The Queen's House (east-west) showing the site of the old Woolwich-Deptford road As well as my archival research I have been taking advantage of my access to the House by walking the routes around it and gaining a sense of the different visual perspectives towards both the hunting grounds to the south (Greenwich Park) and Greenwich Palace to the north (now Wren's buildings), even venturing up onto the roof to witness the same (if not similar) view the queen and her courtly entourage would have observed from the specifically designed observation platform as seen in the painting below. This architectural detail suggests the exterior roof space was always intended to be utilised for the view that was otherwise obscured by the rambling buildings of the old Tudor Palace. [[{"type":"media","view_mode":"media_large","fid":"219580","attributes":{"class":"media-image","typeof":"foaf:Image","style":"","alt":"BHC1808.jpg"}}]]
Johannes Vorsterman, Greenwich and London from One Tree Hill, c.1680. (BHC1808) My research into Anna of Denmark's movements to and from Greenwich during her period as English queen consort have so far revealed patterns of personal, cultural and political use, including birthing rituals and diplomatic visits. As part of these ceremonial displays the construction of the Queen's House did not constitute the start of a radical new building programme, but the culmination of an agenda that reinforced and regenerated the public image of the first royal female of the Stuart court.