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Queen's House
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Delve deeper into Royal Museums Greenwich's collection on our specialist tours of the Prince Philip Maritime Collections Centre for over 18s.
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Women of the RNLI
Celebrate 200 years of saving lives at sea at the National Maritime Museum
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Visit Cutty Sark for a fantastic day of sea song performances and workshops in celebration of the tea clipper's 155th birthday
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Our Ocean, Our Planet
Guide to the night sky
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Earth as you've never seen it before
Sergio Díaz Ruiz uses satellite imagery to explore climate change by creating an image of Earth as it might be analysed by a distant alien civilisation
Master of disguise: how a Navy sailor escaped a Napoleonic prison
Discover the true story of Charles Hare, the 19th-century midshipman who used a French officer's uniform to pull off a daring prison break
A stitch in time: the secrets of textile conservation
A 19th century uniform with a dramatic history is on display at the National Maritime Museum. Come behind the scenes to discover the care that went into its conservation
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Fine art
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4. Astronomy and print
A Sea of Symbols
Captain George Pechell Mends (circa 1814 – 1871)
Caricatures
Foreign Shores
Green Blackwall collection
Herschel family
Lieutenant Gabriel Bray (1750–1823)
Maritime Art Greenwich
Michael Graham-Stewart collection
Miniatures
Nature and National Waters
Nicholas Pocock
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Opium Wars
Patronage, Battles and the Exotic
Popular Astronomy
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The Herschels as collectors
The Opium Wars
The Rise of the Seascape
Van de Velde drawings
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black pen and ink , blue wash on paper
black pen and ink blue-grey wash on wove paper (verso printed map fragment)
blue ink, pen and wash on wove paper (verso printed chart fragment)
blue ink on wove paper (verso fragment of printed chart)
board
canvas
chalk
crayon
gouache
graphite
graphite, blue ink wash on wove paper (verso chart fragment)
oil
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paper, pen & ink
pasper
pen & Indian ink
pen & ink
pen & ink, wash
pen and black ink, blue wash on thin machine made wove paper
pen and blue ink, watercolour on blue paper
pen and ink
pen and washes, blue and black ink on wove paper (verso watercolour and grey wash, graphite underdrawing, black ink inscription, faint stamp)
pencil
wash
watercolor, bodycolour and ink washes with ink outline, graphite underdrawing (verso: graphite, ink inscription at edge), on wove paper
watercolour
watercolour, pen and black ink on cream thin machine made wove paper
watercolour.
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Cook, John Kingsley
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Algeria
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Cook, John Kingsley
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showing 264 objects results
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Finding reference (desc)
'Study of chameleon' (Drawing)
'Survivors in the dawn' (Drawing)
'Goum' (Drawing)
View of houses by a train track (Drawing)
'Saïda' [Saida] (Drawing)
'Assorted convicts' (Drawing)
Two women with fruit basket (Drawing)
'The mountains behind Méchéria' [Mecheria] (Drawing)
'A street in Gibraltar' (Watercolour)
Group of houses (Drawing)
'Isle of Galita drawn one hour before ship was sunk' (Drawing)
'Five studies of Arab figures' (Drawing)
Ships at sea (Watercolour)
'Corvette hunting a U-Boat' (Watercolour)
'Assorted prisoners' (Drawing)
'On the mountains above Méchéria [Mecheria]. Old Foreign Legion lookout point' (Drawing)
Man standing on the deck of a ship, seen from behind (Watercolour)
Harbour scene (Drawing)
'Waterfront. Ponta Delgada. Azores' (Watercolour)
'Fertile valley near Saïda' [Saida] (Drawing)
'Arabs returning from market near Saïda [Saida], Algeria' (Drawing)
'The oldest inmate? Méchéria' [Mecheria] (Drawing)
Man peeling potatoes (Drawing)
'Officers' quarters, Méchéria' [Mecheria] (Drawing)
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