Seascape from the 'Suzanne'
A sketch showing a seascape in the moonlight, with part of the barque,'Suzanne', included on the left. The unusual rendering of the sails, ropes and side of the ship reduced to simple shapes, enhances the dramatic effect. The sails are shown as a dark block of grey to contrast with the turquoise of the ship's side and the light grey sky. This reduction of form highlights the relationship between artist, ship, sea and moon. The artist has used unconventional colours to achieve the effect, applying lilac purple and pink to show the clouds and the sea with thicker paint creating the lighter reflections of the moon on the water. Intent upon capturing the relationship and fleeting nature of light and the movement of waves in an ever-changing sea, Everett produced hundreds of similar rapid seascapes. They were done on the spot and sometimes painted in quick succession.
Everett made his final two journeys in a deep-water ship on board the 'Suzanne' between 1928-29 and 1930. Following World War I, in which a large number of ships were lost, it became extremely difficult to find a berth. This Danish barque was built in 1880. British owned, she was originally known as the 'Kylemore', became Norwegian in 1907 and Danish in 1915. In 1925 a change in ownership brought a change in name to the 'Suzanne', the name of the ship when Everett sailed on her. It was effectively a training ship since the Danish crew was sailing in her to earn their tickets and received no wages. Everett returned from the second voyage with 83 oils and 300 drawings.
Between November 1928 and January 1929 Everett sailed in the 'Suzanne' from Calais to Pointe-A-Pitre, Guadaloupe. While at Le Havre, Everett heard that the Danish barque was in Calais loading for Martinique and he decided to join her because he wanted another journey under sail. He praised the seamanship on board and said everything was done under sail. Once in Jamaica it took six weeks to unload, and he continued his journey on board SS 'Changuinola', owned by Elder and Fife. On his second journey in the 'Suzanne' in 1930, he sailed from Le Havre to Black River, Jamaica, in November, arriving at Black River on 16 December. This was the last voyage Everett ever made in sailing ships. The painting is inscribed 'Suz' verso.
Everett made his final two journeys in a deep-water ship on board the 'Suzanne' between 1928-29 and 1930. Following World War I, in which a large number of ships were lost, it became extremely difficult to find a berth. This Danish barque was built in 1880. British owned, she was originally known as the 'Kylemore', became Norwegian in 1907 and Danish in 1915. In 1925 a change in ownership brought a change in name to the 'Suzanne', the name of the ship when Everett sailed on her. It was effectively a training ship since the Danish crew was sailing in her to earn their tickets and received no wages. Everett returned from the second voyage with 83 oils and 300 drawings.
Between November 1928 and January 1929 Everett sailed in the 'Suzanne' from Calais to Pointe-A-Pitre, Guadaloupe. While at Le Havre, Everett heard that the Danish barque was in Calais loading for Martinique and he decided to join her because he wanted another journey under sail. He praised the seamanship on board and said everything was done under sail. Once in Jamaica it took six weeks to unload, and he continued his journey on board SS 'Changuinola', owned by Elder and Fife. On his second journey in the 'Suzanne' in 1930, he sailed from Le Havre to Black River, Jamaica, in November, arriving at Black River on 16 December. This was the last voyage Everett ever made in sailing ships. The painting is inscribed 'Suz' verso.
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Object Details
ID: | BHC0011 |
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Collection: | Fine art |
Type: | Painting |
Display location: | Not on display |
Creator: | Everett, (Herbert Barnard) John |
Vessels: | Suzanne (1880) |
Date made: | 1928-1930; 1928-30 |
Credit: | National Maritime Museum, Greenwich, London. Bequeathed by the artist 1949. |
Measurements: | Painting: 253 x 355 mm |