An artistic interpretation of an incident during the French Revolutionary War, following the Battle of Cape St Vincent, 14 February 1797. The last decade of the 18th century was a period of extreme upheaval across Europe. Late in 1796, after Spain made peace with Revolutionary France, the British were forced to withdraw from the Mediterranean. Commodore Nelson organized the evacuation of Corsica, and Admiral Jervis, based at Gibraltar, concentrated on blockading the Spanish fleet in its Atlantic ports, especially Cadiz. When Spanish ships, aiming for Brest to join the French, were seen passing through the Straits of Gibraltar on 5 February 1797, on their way to Cadiz, Nelson set sail towards Cape St Vincent, hoping to find Jervis. He found the British squadron off Cape St Vincent on 13 February and immediately repaired on board 'Victory', 100 guns, to discuss with Jervis the preparations for the inevitable battle. The following morning, Jervis gave orders for the fleet to prepare for the coming action, which commenced at 11.30am. The capture of the 'San Nicolas', 80 guns, and the 'San Josef', 112 guns, was the most dramatic incident of the Battle of Cape St Vincent. Lord Nelson first boarded the 'San Nicolas' and then the 'San Josef', which had fallen foul of the 'San Nicolas'. The painting interprets the scene on the quarterdeck of the 'San Josef' as she surrenders. Nelson is standing centre right of the picture, his right hand held out to receive the sword of the captain of the ship. He is depicted offering it on bended knee, whilst his left hand points behind him to the slumped figure of the Spanish Admiral, Don Francisco Xavier Winthuysen, who has been mortally wounded. Kneeling beside the admiral on the far left, is the 'San Josef's' First Lieutenant, with his hands clasped. Behind this group, a Spanish and English sailor are shown, the latter identifiable as Ramsay, one of Nelson's bargemen. To the right of them is a Spanish priest called O'Brien, holding a cross aloft in his left hand. Between him and Nelson are three British officers. First is Lieutenant Pearson of the 69th Regiment, who had boarded the ship at Nelson's side. Behind him is Midshipman Thomas, a master's mate of Nelson's 'Captain', 74 guns, and James Noble, who was Nelson's Flag Lieutenant. To the right of Nelson is Captain Berry, gesturing towards the 'San Josef's' ensign, which has just been hauled down. On the poop behind them is a British soldier of the 69th and two British sailors. The man waving his hat in the air is identifiable as William Fearney, Nelson's bargeman. This gesture is at odds with Nelson's own written account, which describes Fearney as putting the swords 'with the greatest sang froid, under his arm'. The jagged, broken mizzen-mast of the ship is visible in the background, by the ship's bell (see EQA0482). In the left background is the stern of the 'San Nicolas', a Union flag over her ensign and Lieutenant Peter Spicer waving from her taffrail. Beyond her is the 'Captain', port-bow view, with Captain Miller and Nelson's stepson, Lieutenant Josiah Nisbet, standing on the fo'c'sle. In the centre background the 'Victory' and the 'Santissima Trinidad', 130 guns, in port-bow view, are shown in close action. The painting is signed and dated, 'Orme pinxt 1799'. Orme was a miniaturist and engraver, who in 1792 became the impresario of a history painting and print-publishing business. Initially, he worked in collaboration with the American artist Mather Brown, who produced paintings of recent events which Orme then engraved and published, the pair dedicating themselves to the representation of military and naval subjects. Orme referred to his Holles Street exhibition room and print shop as the ‘British Naval and Military Gallery’ and continued to operate under this title after his partnership with Brown dissolved sometime around 1797, at which point Orme took on the role of painter as well as engraver and publisher. His first solo projects were this painting and one depicting 'Duncan Receiving the Surrender of de Winter at the Battle of Camperdown, 11 October 1797’ (see BHC3100). The engraving after this painting was published with an accompanying key on 21 June 1800 (see PAH7928 and PAI7797). (Note: the Spanish 'San José', captured at Cape St Vincent, is generally if wrongly known in English as 'San Josef', the name under which she was taken into the Navy.) (Updated April 2019.)