Admiral Clark Gayton, 1712-1785

A three-quarter-length portrait to left in flag officer's full-dress uniform, 1767-83, of blue coat with gold braid, white waistcoat decorated in gold trim, and a white wig. In the background to the left, behind Gayton's right arm, is the 'Antelope', 54 guns, flying his flag as Vice-Admiral of the White at Jamaica. Another indeterminate vessel flying a red ensign is on the right. Gayton's right hand holds a rolled up chart and rests on a table full of charts of the West Indies. The name 'Vice Admiral Gayton' appears on one of these. Gayton was baptized on 18 April 1712 at St Thomas's, Portsmouth, the third child and eldest son of John Gayton (d. 1737), sailor, and his wife, Eleanor, née Clark (d. 1750): a younger brother, George (1724–97), also became a vice-admiral. Gayton was a midshipman in the 'Squirrel' with Captain Peter Warren on the North American station and, while still in that rank, married Judith Rawlings (b. 1714) at Boston in August 1738. He rose to command a storeship in the West Indies in 1744 and the frigate 'Mermaid' the following year, continuing in her at home until 1747 where he thereafter raised a large family on half-pay for the next eight years. Of these children only one son, George Clark Gayton (bap. 5 June 1751), later a clergyman, survived him. In May 1756 Gayton commissioned the 'Antelope' at home, moved that August to the guardship 'Royal Anne' at Spithead, and then in April 1757 to the 'Prince', for Mediterranean service as flag captain to Admiral Henry Osborn. Augustus Hervey's journal states that Gayton would have made a better boatswain than a captain but he was a very popular commander of seamen, no doubt because no more or less a 'tarpaulin' one himself, whatever additional polish and 'interest' enabled his steady advancement. In summer of 1758 he was appointed to the 'St George', going to the West Indies and participating in the attack on Martinique and the taking of Guadeloupe in January 1759 before returning to join the Channel Fleet. After further time on half pay, Gayton in 1769 commanded the guardship 'San Antonio' at Portsmouth until becoming a rear-admiral in October 1770. In May 1774 he left England with his flag in the 'Antelope' to take command of the Jamaica station, where lack of ships gave him many difficulties in stopping supplies reaching rebel American forces. He became a vice-admiral in 1776 and in April 1778 returned to retirement in England, still in the 'Antelope'. He was then in poor health and the ship in bad condition. On the way, encountering a larger warship at first thought to be an enemy, the crew beat to quarters. Gayton, too ill to fight, had a chair brought on deck and encouraged them with the celebrated announcement that ‘I cannot stand by you, but will sit and see you fight as long as you please.’ His first wife having died, he remarried in London in February 1779 to Elizabeth Legge, a relative of the Earl of Dartmouth and settled at Fareham, Hants. After becoming a full admiral in 1782 he died on 5 March 1785 (his will being proved on the 19th). His widow remarried to Thomas Newnham, another naval officer, at Fareham in June 1785, and thirdly, in December 1801, to the Revd James Pigott. She died in 1809. This portrait was originally one of a pair by Copley made to mark Gayton's second marriage to the much younger Elizabeth Legge in 1779. Gayton's will left hers expressly to her and it is now in the Detroit Institute of Arts, USA. This one passed initially to the Reverend George Clark Gayton, his only surviving child by his first wife. The American-born artist was active as a portrait painter in Boston until 1774. After a year of study in Italy and following the outbreak of the American Revolution in 1775, he settled in London, where he spent the rest of his life. There he continued to paint portraits and innovatively combine portraiture with history painting.

Object Details

ID: BHC2705
Collection: Fine art
Type: Painting
Display location: Not on display
Creator: Copley, John Singleton
Date made: 1779
People: Gayton, Clark
Credit: National Maritime Museum, Greenwich, London. Caird Fund.
Measurements: Painting: 1270 mm x 1018 mm; Frame: 1513 mm x 1265 mm x 87 mm