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Striking the hornets' nest : naval aviation and the origins of strategic bombing in World War I /Geoffrey L. Rossano, Thomas Wildenberg. "This book is much more than just a history of the Navy's struggle during World War I to develop methods to destroy the German U-boat bases in Belgium. Underlying the story is the struggle among competing interests, both within and among the Allies and within the American Expeditionary Forces, for scarce resources. The authors have written a book that will become the definite study of the Northern Bombing Group. This unit's history needs to be read, for the men of the group laid the foundation for how U. S. Striking the Hornets' Nest provides the first extensive analysis of the Northern Bombing Group (NBG), the Navy's most innovative aviation initiative of World War I and one of the world?s first dedicated strategic bombing programs. Very little has been written about the Navy's aviation activities in World War I and even less on the NBG. Standard studies of strategic bombing tend to focus on developments in the Royal Air Force or the U.S. Army Air Service. This work concentrates on the origins of strategic bombing in World War I, and the influence this phenomenon had on the Navy's future use of the airplane. The NBG program faced enormous logistical and personnel challenges. Demands for aircraft, facilities, and personnel were daunting, and shipping shortages added to the seemingly endless delays in implementing the program. Despite the impediments, the Navy (and Marine Corps) triumphed over organizational hurdles and established a series of bases and depots in northern France and southern England in the late summer and early fall of 1918. Ironically, by the time the Navy was ready to commence bombing missions, the German retreat had caused abandonment of the submarine bases the NBG had been created to attack. The men involved in this program were pioneers, overcoming major obstacles only to find they were no longer needed. Though the Navy rapidly abandoned its use of strategic bombing after World War I, their brief experimentation directed the future use of aircraft in other branches of the armed forces. It is no coincidence that Robert Lovett, the young Navy reserve officer who developed much of the NBG program in 1918, spent the entire period of World War II as Assistant Secretary of War for Air where he played a crucial role organizing and equipping the strategic bombing campaign unleashed against Germany and Japan. Rossano and Wildenberg have provided a definitive study of the NBG, a subject that has been overlooked for too long."--Provided by the publisher. 2015 • BOOK • 1 copy available. 359.38(42:73)"1914/1918"
The Gurob ship-cart model and its Mediterranean context / Shelley Wachsmann. "When Shelley Wachsmann began his analysis of the small ship model excavated by assistants of famed Egyptologist W. M. F. Petrie in Gurob, Egypt, in 1920, he expected to produce a brief monograph that would shed light on the model and the ship type that it represented. Instead, Wachsmann discovered that the model held clues to the identities and cultures of the enigmatic Sea Peoples, to the religious practices of ancient Egypt and Greece, and to the oared ships used by the Bronze Age Mycenaean Greeks. Although found in Egypt, the prototype of the Gurob model was clearly an Aegean-style galley of a type used by both the Mycenaeans and the Sea Peoples. The model is the most detailed representation presently known of this vessel type, which played a major role in changing the course of world history. Contemporaneous textual evidence for Sherden - one of the Sea Peoples - settled in the region suggests that the model may be patterned after a galley of that culture. Bearing a typical Helladic bird-head decoration topping the stempost, with holes along the sheer strakes confirming the use of stanchions, the model was found with four wheels and other evidence for a wagon-like support structure, connecting it with European cultic prototypes. The online resources that accompany the book illustrate Wachsmann's research and analysis. They include 3D interactive models that allow readers to examine the Gurob model on their computers as if held in the hand, both in its present state and in two hypothetical reconstructions. The online component also contains high-resolution color photos of the model, maps and satellite photos of the site, and other related materials. Offering a wide range of insights and evidence for linkages among ancient Mediterranean peoples and traditions, The Gurob Ship-Cart Model and Its Mediterranean Context presents an invaluable asset for anyone interested in the complexities of cultural change in the eastern Mediterranean at the end of the Bronze Age and the beginning of the Iron Age."--Provided by the publisher. 2012. • FOLIO • 1 copy available. 932/.2
Inquisitive eyes : Slade painters in Edwardian Wessex /Gwen Yarker "This real contribution to the literature on artists and place is a truly fresh look not only at the Slade milieu but at the flavour of landscape painting in early twentieth century Britain. Convincingly argued, this focuses on the importance of Purbeck to some of the most important Edwardian painters. Plein air artists visiting from the 1890s saw the county through the lens of Thomas Hardy and exhibited paintings of a timeless Wessex in London. Slade tutors and students, during its Grand Epoch and 'first crisis of brilliance', mostly visited through their friendship with a friend of Hardy, the little known Dorset-born painter John Everett. Easily accessible by train from London, painters were there in the summer months leading to Augustus John's description that 'Corfe Castle and the neighbourhood would make you mad with painter's cupidity'. Up to 300 painters were attracted to this sketching ground by its unique combination of ancient barrows and mining/clay pits, and dramatic coast, over the period. Painters featured in the book include, Vanessa Bell, Charles Conder, John Everett, Roger Fry, Augustus John, Helen McNicoll, William Orpen, Philip Wilson Steer and Henry Tonks. This book is richly illustrated and has broad appeal for non-specialists interested in landscape painting, as well as to specialists interested in re-assessing artistic reputations and ideas of modernity in early twentieth century British art. A genuinely fresh look at the Slade's first crisis of brilliance, centred in Thomas Hardy's Dorset. An excellent wealth of new and unpublished material with quotes carefully selected to illuminate the interlocking lives of well- and lesser-known modern painters. This includes never before published drawings by Orpen charting the closeness of his friendship with John Everett and fellow Slade students. This story is a lost chapter in British art."--Provided by the publisher. 2016 • BOOK • 1 copy available.
Preservation of plastic artefacts in museum collections / edited by Bertrand Lavâedrine, Alban Fournier and Graham Martin. "This book is not an art picture book although it contains pictures of works of art, and this is not a scientific treatise although it does include chemical formulae! This book is about both art and science and represents a significant milestone in the journey towards understanding the issues associated with plastics in museum collections, and equally importantly, it helps point the way forward for future work. Just as plastics are relatively modern materials, so the science of their degradation is a relatively young science and the understanding of how we should care for our plastic heritage is still in its infancy. This book is created for the conservation community interested in the preservation of art and design works that happen to be made out of a wide variety of plastic formulations. It gathers a bulk of knowledge that is a record of the latest conservation science and technology as applied to plastic works of art, gained during the POPART project - the Preservation Of Plastic ARTefacts in museum collections: a forty two-month international research project part funded by the European Commission. We want future generations to be able to see plastic works of art and museum objects as close as possible of their original form, and not just as 3D images and voice memories. This book provides a valuable and major step towards that worthy objective."--Provided by the publisher. 2012. • BOOK • 1 copy available. 069.44-036.5
Maps and the 20th century: Drawing the line/Tom Harper. "Accompanies a major exhibition at the British Library, opening on 4 November. This book will tell a global story of the most turbulent century in history through its most powerful and important object: the map. It includes over 120 illustrations of the most important and unusual maps of the period from the world's greatest map collection, and uses them to tell the story of war, peace, depression, prosperity, and social and technological change that has made the world what it is today. This bold new history will challenge the reader's perceptions about maps, revealing them as objects of persuasion and power, as well as humour and even sadness. Above all it will open the reader's eyes to the prevalence of maps in everyday life.Highlights will include a trench-map of the Somme battlefields, a bomb damage map of London, laminated rifle-maps from Belfast in 1990, the original sketch for the London Tube, early maps of the ocean floor, a poster showing Mao studying a map on his Long March, and a Russian Mars globe from 1961. Many of the illustrations will be unexpected: the United Nations flag, the first stamps of Independent Latvia, which were printed on the backs of maps, and a motorway sign. Leading historians of cartography, society and art will explore the myriad ways in which maps were made, used and understood during 100 years of conflict, change and upheaval."--Provided by the publisher. 2016. • FOLIO • 1 copy available. 912.43(100)